It’s Dailies, Not Weeklies

In a perfect film set world (real world), you shoot for the day, send the film to the lab that night to be processed, return the next day, shoot some more, and then during lunch (or beginning/end of the day), you watch what you shot the previous day. These are called...

The State of the Documentary [Panel]

Below are my notes from the one panel I attended at Full Frame – The State of the Doc. It’s a little more cheerful than Mark Gill’s outlook on independent cinema, though re-reading this now, some panelists seemed to be predicting what was going to...

Red Eye Flights and Geoffrey Gilmore [5 of 5]

This is the last adventure that involves driving Geoffrey Gilmore (the Director of the Sundance Film Festival) around Tallahassee, Diet Cokes, private jets, The Visitor, tea, a 4 AM flight, and of course, coffee. Part one Part two, Part three, and Part four. Saturday...

State of the Fest – Do festivals matter?

State of the Fest | Part one: Do festivals matter? – The Circuit In the pantheon of viable choices for getting your film seen, film festivals continue to thrive (seems there’s a new one born every minute, right?), and that’s because, putting aside economic...